Framing in interaction. Pragmatic approaches to framing analysis
This volume invites its readers to rethink the linguistic basis for framing analysis by problematizing the existing foundation and presenting eight new pragmatically based framing analyses.
The book challenges the assumption that there is a unilateral, one-to-one relationship between words and frames, such that framing occurs when a language user is exposed to a word that activates a frame.
Conversely, it is assumed that framing emerges in social interaction through a complex interplay between the participants, the semiotic resources employed, the circumstances, and the multiple frames of interaction. This assumption calls for the relationship between words and frames to be analyzed in pragmatics, including in cross-fertilization with other disciplines such as discourse analysis, interaction analysis, sociolinguistics, psycholinguistics, and social psychology.
The assumption is operationalized in eight different exemplary framing analyses. Each analysis has its own focus, drawing on its own disciplines, and utilizing its own concepts, tools, and methods.
The results of the analyses are noteworthy and demonstrate how a pragmatic approach to framing analysis can enhance the validity and reliability of the analysis.
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Literary museums at home. Literature indoors
This book, at the intersection of material culture, thing theory, fiction and museology, explores the different ways in which literature is exhibited and appropriated within the domestic, intimate sphere of the home. Certain daily practices involve the exhibition of literature in ways that are similar to those encountered in a museum. Interior decoration and design, bibliomania, homeware, fashion items, not to mention board games or doll’s houses, may all be considered means of fetishising literature within the home. While the book combines academic chapters, from a wide range of literary genres, across centuries and various countries, and interviews of museum directors who currently live in a museum house, it draws attention to the duality that characterises such domestic literary landscape, which simultaneously exhibit the literary and produce literature. The book delves into the past or present ways in which writers and literature lovers inhabit their home, especially when these homes become museum spaces during their lifetime, and when the objects accumulated by these literati-curators are intimately linked to their writing.
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