Ukrainian Border Dialects in Belarusian-Russian Contact Areas: Characteristics and Trends
This book presents a contemporary, primarily synchronic, linguistic analysis of the essential dialectal features characterizing the dialects spoken in the Ukrainian-Belarusian-Russian border area.
Utilizing sociolinguistic and unique focus-group data, Salvatore Del Gaudio analyzes specific local dialects at the crossroads of Ukraine, Belarus, and the Russian Federation, both locally and cross-regionally, to best highlight stable characteristics and ongoing tendencies over the span of a decade (2012–2022). The individuality of this area is also examined within a broader sociolinguistic context, which accounts for language attitudes, habits, and the identity of local speakers, as well as the linguistic landscape of the border area. The findings presented in this book are valuable for further dialectological research and related linguistic subfields. Moreover, they contribute to the establishment of a more accurate typology of (East) Slavic languages, offering valid insights into areal linguistics, as is often required in similar studies.
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Destructive Imagination: Male Fantasies and the Emotional Roots of Russia’s War in Ukraine
Russian soldiers did not go to war with only guns and orders—they went with fantasies that made killing feel meaningful. Drawing on diaries, social media posts, memoirs, poems, and battlefield songs, Maria Kurbak reconstructs the war from below. She shows how Russian combatants turn old wounds—NATO’s bombing of Yugoslavia, the collapse of the USSR, personal shame, and perceived national betrayal—into narratives that make violence feel purposeful and necessary. These fantasies echo official slogans but also exceed them, binding private grievances to collective myths and turning imagined injuries into real acts of brutality.
The book moves backward through time: from the full-scale invasion, to the myths of “Novorossiya” in Donbas, to deeper crises of masculinity and memory carried from the late Soviet decades. Across this arc, Destructive Imagination demonstrates that fantasies do not distort war; they design it. The result is a new framework for understanding Russia’s invasion of Ukraine—one that brings into view the emotional and symbolic worlds that structure political behavior and make violence imaginable long before it becomes real.
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